Diary of an Angry, Hungry, Fat, Gay Mexican — “Fatlanta”

Diary of an Angry, Hungry, Fat, Gay Mexican — “Fatlanta”

 

While I’ve been bicoastal for work, I’ve joked to friends that eating in the ATL is a challenge, that “even the air is fried.” Or, I’d say with the solemnity of confession, “It is impossible to eat healthy in this city.” The truth is I lost all and total control. I acted like a kid who was left off at summer camp with the idea that anything goes now that mom and pops ain’t watching me.

I’ve been watching myself see the scale move up about to the tune of 11.5 pounds of MF’in bloat in a month of unnecessary stress and/or emotional eating. That’s the end result of letting this last month of working in Atlanta get to me. Here’s the rub: I wasn’t even stressed or emotional! In other words, I fell off the food addiction wagon so hard, I literally broke my spirit.

Welcome to Fatlanta.

I spent most of the first day back from the latest trip to Atlanta in a sulk. Sure its mostly sodium intake, but that’s no comfort, dear. Today, I ate two apples, some raw pepitas, hummus and a turkey/egg white scramble, had a latte and just sulked. I can’t even be mad at anyone since no one person or situation put all that food in mouth at gun point. I knew exactly what I was doing, which makes me even feel worse. Wait. Checking my glucose reading the Saturday after my return from this  latest trip clocked in at 200! That does feel worse. It’s triggered The Eeyore Effect again, where I feel heavy, slow, sweaty and incredibly morose.

Fuck me. It’s enough to not feel depressed right now or beat myself to a Waffle House and BBQ sauce-infused pulp right now. I think about those episodes of “Designing Women” when Delta Burke’s weight gain was starting to become an issue for the show. Series creator Linda Bloodworth Thomason would write some of the best episodes of 1980s television around Suzanne Sugarbaker’s weight. A former beauty queen, like Burke herself, the character’s struggle with her weight hit a raw nerve for many of us dealing with the same challenges.

In the end, Burke would be fired from the show in a nasty public split that is the stuff of industry legend. The show never recovered from the loss of such a vivid character. All of the women were remarkable on that show, but Suzanne was the reason many watched with such fervor. (I won’t lie. All four of the original cast are my spirit characters.) Laughter through tears is my favorite emotion, too. (To quote another Southern pop culture queen.) I spent part of the day watching some of the best of Suzanne Sugarbaker’s moments, just as a reminder that this set back is not permanent. Nor does it diminish the achievement of getting closer to understanding why I eat the way I do. The cycle can be broken, which is what I am determined to focus upon after this day of wallowing in self-pity. One day. No more, dammit.

Being in Georgia these many weeks has reinforced the horror and sadness I feel when it comes to the tyranny of food we continue to endure in this country. We sure love our excess as much as we love NOT being told what to do, especially when it comes to our health. With the recent return of Trumpcare and the rollbacks of key legislations to help keep our children healthy, I realize that many of us are being set up to fail. We won’t be told by anyone what we can or can’t do to our bodies! Keep us poor, stupid, fat and consuming everything in sight. That’s what is means to be an American!

Bullshit.

When will we realize that we are being set up to fail, to stay sick and die? We are just being led to the slaughter, fattened by ignorance, greed and pride. We are at the mercy of the privileged few who stand to earn more by just watching us eat ourselves to death. This is where education is so vital! We keep cutting curriculum that can so benefit us from a young age! That “Dollars & Sense” class or home economics courses, why are these considered a luxury today?

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It made me sad seeing how race and income dictated what food was available in every sector of Atlanta I visited. You could find a Waffle House, Bojangle’s or Chik-fil-a on every corner, but a Whole Foods or Sprouts was still relegated to the affluent Buckhead-type areas of the city. Publix and Kroger’s offered some healthier choices, but these options were usually relegated to the back of the store, away from the towering displays of chips and soft drinks that were substantially cheaper. The produce I purchased at several Wal-Mart stores was subpar and not as plentiful or as fresh compared to the Super Target Market offerings outside of the city.

It would be too easy to say, “Well, it’s Georgia!” But, you can’t avoid the same problems in Los Angeles. When I was studying at ELAC with Professor Norma Vega, she incorporated a section on the politics of food in her advanced Spanish class. If the seeds were sown then, perhaps the importance of believing “We are what we eat” still needs to be nurtured in order to flower. At least in my own way of living.

I was weak in resisting the excess of movie set treats during these weeks on location. Even with the tough love of several key friends this week, I still reached for the fried pickles, sweet tea, Magnachos, waffle, grits and corn bread with extra maple butter. Why? I wish I knew. I told myself I can get back on track when I get home, that I’ll just return to my program later. I can lose it, no problem. Going backwards to move forward again is getting old. I knew better and the classic addict behavior displayed only made me realize I have a long way to go to be truly healthy again. That being cavalier is on par with being complicit or silent when people are doing all they can to tear you down in the name of progress or #MAGA.

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Driving through South Pasadena today, I thought about stupid I felt for bemoaning I have too much to eat when countless others are struggling to find their next meal. It is a gross abuse of body, mind and soul. I am beyond fortunate to know that I have the means and knowledge to be healthy and sated. That is no excuse to act like I have all the resources and chances in the world to avoid the inevitable, which is an untimely death. I will take this to heart when I return to Atlanta again later this week. No more side trips to Fatlanta, either. Passage denied.

Part of the struggle of healthy eating is knowing when you’ve had enough. To push yourself away from the table and say, “I will not intake anymore of that which can hurt me.” As we lurch forward through this era of chaos, anger and confusion, focus is essential. In order to be able to object and resist, you need strength and conviction. If you can’t control what you eat, then maybe it is time to get out of the kitchen. More, maybe it is time to take stock of what makes you strong and able and offer that part of yourself with those who are willing to listen and learn along with you.

We are what we eat, just as much as we are who we choose to lead.

Either way, demand better.

Diary of an Angry, Hungry, Fat, Gay Mexican — “Cha Cha”

Diary of an Angry, Hungry, Fat, Gay Mexican — “Cha Cha”

 

“Come go with me, make you feel alive

This night will last everlasting through the time

Come go with me, have no fears

Bring back the memories

I can take away the misery

Take my hand, we’ll fly away

To our world that we can find today…”

– From “Come Go with Me” (Lewis A. Martineé), performed by Exposé

I’m going to set the origins of this little journal entry to the past on the sodium bomb from the Slurpin’ Ramen Bar consumed in April in Koreatown. (Excellent place, fyi). Yeah, I did feel a little “up” afterwards. Also, I was correct in predicting that my date for the evening was going to cancel on me –again — so it is better to shift focus onto something a bit more joyful and avoid the desire to man bash. I was truly bloated, bothered and bewildered, the perfect state of mind for journaling!

It’s taken me awhile to shape this into something worth reading and I’m still not sure if I’ve cracked the code. I have to give credit where credit it due. Earlier this spring,  my sister NanyG, sister-friend Helen and I were in the midst of another hi-larious confab, this time at the Pico Rivera Shakey’s Pizza, a cherished location located within our shared cradle of youth. It was a carry-over from ANOTHER HelJor outing (as we refer to ourselves), this time with our childhood compatriot, Anne. And yes, if you’re a member of those days at South Ranchito Elementary/Meller Jr. High/ERHS, we probably DID talk about you.

What I love most about our get togethers is the chance to look back with a clearer vision as to what it was to come of age in the 1980s. Some of the focus is starting to slip into a tepid glow as we have move on through our teen years into our sure to be golden era of 50+. (Well, I can’t speak for myself. I remember way too much, but surprised to know how much I never saw what was often going on right in front of me. I see the roots of my self-absorption are very much showing.)

Being a teenager. Oh, that’s a weighty subject. (Zing!) The pudding days of Meller, when I was stout, pimpled and experiencing a woeful state of style were replaced by something a lot cheerier, leaner and taller by the time sophomore year began at El Rancho. Sitting here with my lap top, it makes me smile to understand how the realities of life’s experiences hadn’t yet taught us how to deconstruct or process our motivations. Everything was so AMAZING until your find out years later that it wasn’t. The struggles we deal with as adults are variations of those classic adolescent tropes. We were the last of the Breakfast Club generation, spicier incarnations of the Princess, the Athlete the Criminal, the Brain and the Basket Case. In some cases, we were probably all five.

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Some of us were wonderfully clueless. Others were – and, surprise, remain — mean girls and boys. We had our groups, our nicknames, our juries, our judgments, our hierarchies, our first loves, our first pains. And as divided we ultimately became as life lead us to our chosen paths, for a small group of us, we remained steadfastly united during the 12 years we followed each other to the edge of 18.

The time isn’t ripe yet to pen that “Whatever Happened to the Class of 1985,” but it is starting to germinate. Something happened to me during that transition years of childhood. I first embraced my peculiar sense of being a boy, only to quickly shun it thanks to bullying and the inner shame felt as a teen. I hate that it happened at all, compromising my true self in the vain attempt to be liked and popular.

But that’s a story for another time.

Right now, I want to remember what it meant to be young in Pico Rivera, where youths were a microcosm of the bigger trends happening inside of LA and out. Everyone had their fiefdoms of rule within the school and outside the city limits:

  • The mods were growing in numbers as Madness and The Specials dominated the powerful KROQ playlists, stealing club time at Marilyn’s in Pasadena.
  • The punks were a smaller contingent, but followed X and Black Flag to Madame Wu’s in Santa Monica.
  • Poseur preps, the ones that had turned up collars along with their classist noses had the most money, bigger houses to match their attitudes and Atari consoles.
  • The heshers, most of whom were in band, were a fiercely loyal bunch that sported their KMET and KLOS stickers as badges of courage and pride.
  • Urban surfers held fast to their Jeff Spicoli uniform of Vans, OP and Lightning Bolt shorts.
  • Morrissey. Enough said.

As for the rest of us?

It was a sea of teen dreams and mall made looks. Girls had their fast fashion trends of jelly shoes, bolero hats, plastic purses and other styles culled from department stores or Judy’s, Contempo Casuals and Miller’s Outpost. God, those damn belts that rivaled the WWF championship bling! Some tried to rock the Mod look with tights that had the feet cut off under long tartan skirts and flats, but it rang false. Maybe it was because feathered hair can’t ever replace an asymmetrical bob?

The cookie cutter style of the boys was laid upon a foundation of Levis jeans, tee shirts and jean jackets — then and now. Jocks will never die out if letterman’s jackets are still able to be earned. My memory can’t seem to fill in the blanks here, an era where the Metrosexual, Lumbersexual and Hipster styles would eventually blur the lines of masculinity.

However, one group reigns supreme in my mind when I look back at that time now. I can’t help but smile at these style rebels of my teen years:

CHA CHA GIRLS!

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I’ll never forget these hothouse flowers that found access with fake ID’s to such playgrounds as the Florentine Gardens, the Red Onion, Black Angus, Pepper’s & Wings, as well as private parties and any other place they could hold court to the tune of Exposé, Debbie Deb and Stacey Q. They rolled around in packs, each with their own special markings of bangs, spider lashes, streaks and nail tips. They oozed a female sexuality that was true power, which sometimes moved faster than they could understand or control.

(Fun Fact: Exposé lead singer Jeanette Jurado is a former El Rancho Don! Class of 1983. Represent!)

This is one group John Hughes would never include in his white bread parables of teen life. These girls weren’t always pretty, but they loved pink, the brighter the better. They played fast and loose with the rules of the time, carving out their own niche as the 1950s ideal of adolescence began its hasty decline.

How I loved these ladies, feathered, streaked and war painted, wearing heels that were higher than their standards, all squeezed into Technicolor fabrics that stretched with the blind optimism of looking good! I always viewed the Cha Cha aesthetic as a rebellion against the leading tropes of the era. These Latinas were way ahead of the Kardashian brand of flesh as fantasy and in your face womanhood. They were always named Letty, Lorraine or Denise, Nena, Pebbles or Candy. Sometimes you had a Monica, Yvette or an Andrea. Given the immigrant culture that was the foundation of aspirational Pico Rivera life, you might have a Socorro or Maria Delilah in the bunch, but she was always the one you made call her much cooler older brother or sister when shit got real. (“Shut up, Socorro!” could be heard whenever she offered the single voice of sanity.)

The soc’s (the popular girls) looked down on the Cha Cha’s as being trashy, but like all things unbridled, jealousy motivated their feelings. Hallway chatter about some of these ladies was nothing short of salacious gossip, especially if their boyfriends were jocks. This could explain why many of the Cha Cha’s of my era opted to date outside of the El Rancho walls.

Every Friday of my first year at El Rancho, or “The Ranch,” was littered with invites to the weekend’s parties. Mass printed flyers, emblazoned with Nagel girls, were events sponsored by mobile DJ’s that called themselves “The Men of Elegance” and groupies of females known as  “The Girls in Freak Position” or worse, names that you know would piss off your parents as they demanded you to “Tira esa cochinada ahorita!” (I wish I kept one of these flyers. If you have one, let a brother know!)

They were the denizens of the house parties and clubs that rocked the San Gabriel Valley, Hollywood and beyond. They were free-style aficionados who ventured to the Mansion, a claque that was strictly “Members Only,” weekend warriors fortified by Shpritz Forté. For some reason, the men were Dippity Do’d and Drakkar’d into shiny and musky sameness. Despite their macho posturing and bantering, they were rather generic in attitude and looks. Most couldn’t grow a mustache to cover their top lip, but it was awesome to see that their girlfriends could!

It was with great delight that I found a short film I created with my one of my best childhood friends, Ed Castellanos. We invaded El Rancho a few years after we graduated, crafted a DIY masterpiece with a VHS camera. Family, friends, students all contributed to this opus, cheekily titled “Fatal Aquanet.” It was meant to be a trailer for a new movie, with audience reactions and testimonials. At 16 minutes in length, we probably could have used some judicious editing.

Our intent was to create something that was fun. The best part were the on-the-street chats with the Cha Cha’s we talked to on Whittier Blvd. one memorable night. This was a harbinger of the life I would eventually lead, of documenting interviews and questions, of capturing the stories of lives in motion with truth and verve.

Our destinies can be revealed at a young age if we just lose the fear. I wish Ed and I went on to document other things together. Who knows?  “Fatal Aquanet” will live forever on YouTube and on this blog for a reason. (Ed, perhaps a reunion is in store for us? I have an idea!)

Since those chats with Nancy, Helen and Anne, I’ve been toying with another idea, of fashioning a series of posts around a fictional group of girls, Cha Cha’s all, representing a chapter in my angry, hungry, fat, gay Mexican life. Perhaps I’ll use this device to frame a larger story, of what happened to the class of 1985 through the prism of one group of friends as their gay single friend approaches 50 and faces the prospect of marriage…to someone younger.

Nothing upsets the herd like a seismic shift in the group dynamic, with the rest of the couples questioning their own choices and relationships. Sometimes when we look back, the consequences have an unexpected on the future. Good or bad, it is always for the best. And it would have great style with a soundtrack to beat any mixtape or playlist you could devise.

I don’t know how that particular story will play itself out, but I only ask that you come go with me and find out.

Diary of an Angry, Hungry, Fat, Gay Mexican — “Eugenio & Salma”

Diary of an Angry, Hungry, Fat, Gay Mexican — “Eugenio & Salma”

 

 

“Every man carries a bit of the personality of the Latin lover inside. If you have the energy, if you have the inner self-confidence, you can be a Latin lover. It’s not a stereotype. It’s a way of living!”

— Eugenio Derbez on his role as Maximo in “How to Be a Latin Lover”

¡Viva Mexico!

It was a sensational opening weekend for HOW TO BE A LATIN LOVER at the box office. The bilingual comedy lead by Mexican comedy titan Eugenio Derbez, Salma Hayek, Rob Lowe, Kristen Bell and a multi-cultural/multi-generational ensemble cast debuted in second place with $12 million from just 1,118 theaters. With Latinos comprising an overwhelming 89% of the audience and a “A” CinemaScore grade, this “Latin Lover” has plenty of seduction power and swagger to fuel its momentum.  

My colleagues at Monkey Deux, Inc. and I had the distinct privilege of working on the campaign for HOW TO BE A LATIN LOVER, crafting the broadcast and online publicity materials that began during production last Spring 2016 in Los Angeles. It is by far the most entertaining film that Pantelion Films, the Latino division of Lionsgate (with Televisa) has produced and perhaps the most enjoyable project we’ve collaborated on to date.

 As an American-born Latino in Hollywood, the opportunities to work on films that reflected my Mexican heritage were far and few in between. Since my association with Pantelion began in 2013, the door that opened into this world of Latino entertainment has been one of the best things to ever happen in the near 25 years of my career. Meeting and working with some of the most formidable Latino artists working today continues to add an exciting layer to my role as a producer/interviewer. More, the chance to express myself in two languages has allowed for opportunities I never thought possible.

I had to share a little of the memorable experience in speaking with Derbez and Hayek about the making of HOW TO BE A LATIN LOVER, interviews which were used to create the featurette that is running online and the production notes given to the press covering the film. I’d like to see how any wall would dare to keep out the unbridled creativity and cultural pride shared by Derbez and Hayek. If anything, their recent appearances on several leading morning and late night shows translated into something for everyone to enjoy at the movies.

 As we venture through a divisive time, where isolating those who are deemed not like “us” is acceptable, we need to continue to support diversity, especially in the arts. We all have stories to tell, stories that reflect our true face as a nation. You may not make films like HOW TO BE A LATIN LOVER your priority. However, sooner or later, all of our experiences and perspectives will grace the silver screen without being listed as a “special episode,” a “woman’s picture” or crafted for a “niche audience.” That’s how we can stop the walls and project a saner future for us all.

An excerpt from my production story on the making of HOW TO BE A LATIN LOVER with Derbez and Hayek below:

Following up the global success of Instructions Not Included in 2013 was no easy task for Mexican comedy superstar Eugenio Derbez, who wrote, directed and starred in what remains the highest grossing Spanish film in US movie history. Capturing that sort of lightning in a bottle twice can be elusive. Still, the timing of Instructions Not Included proved fortuitous, playing a role in further illustrating the importance of diversity in Hollywood-produced entertainment. Derbez opted to flex other creative muscles while patiently searching for the right project to tackle as a filmmaker, securing roles in such features as the recent hit Miracles From Heaven and the upcoming action drama Geostorm. Being able to choose the project that best fit his established comedy brand was a serious task, so when Derbez and his 3Pas Productions partner Benjamin Odell heard the pitch about an aging gigolo, they knew they hit pay dirt.

“I was looking for a script for me that could fit my accent, my audience, my age, my everything,” Derbez recalled with a smile. “What I loved about HOW TO BE A LATIN LOVER was the fact that we could play with this image of someone who is beautiful and handsome like Julio Iglesias or Enrique Iglesias or Ricky Martin. Maximo is really aging, probably in the worst years of his life, and I think that’s the funny thing about this character.”

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Despite sharing a friendship that spans more than 30 years, Derbez and Oscar®-nominated actor/filmmaker and paisana Salma Hayek had often regretted that they’ve never had the chance to work together. That lifelong promise made good proved a formidable “get” for the film that all the filmmakers hoped would happen. As Sara, Maximo’s headstrong, burgeoning architect sister, Hayek said establishing that familial bond was hardly a stretch given her history with Derbez. (Fun fact: they share the same birthday of September 2.)

“I’ve been friends with Eugenio for a long time,” Hayek explained. “When I started my production company, one of the first ideas that I had was to do a show for Eugenio. But America was not ready yet, this was before Ugly Betty, to understand the power of the Latino market. We are very similar in many ways. I cannot think of a better fit for the characters than to be brother and sister. For me it’s a great opportunity to act in Spanish and to play a Mexican woman and to have fun, reliving a little bit our childhood. I got to relive my childhood in Mexico with a brother that in real life feels like a brother to me.”

For Derbez, other practical realites existed in wanting Hayek to join the cast, extending beyond the chance to work together. The duo even took to the recording studio later in the film’s post-production to capture their upbeat salsa version of the classic ballad “El Triste” for the soundtrack.

“It was an amazing good time because she’s lovable. She’s crazy. And she’s very creative. She’s always bringing new stuff. When we were acting in Spanish, we felt really good. It was like we weren’t even acting. We were like just playing around, like brother and sister. It’s not easy to find something like that sort of chemistry. It’s just so good to have two real Mexicans playing Mexicans because I’ve seen a lot of Hollywood films with supposed Mexicans that aren’t Mexicans. Another producer would have hired an actress from another place and probably some audiences wouldn’t be able to tell the difference. But for us you can absolutely tell when somebody has an accent from Colombia or Argentina or Spain. It was really important for us to have two real Mexicans portraying two Mexicans.”

Hayek further extolled the benefits of having a film populated by an ensemble of contrasts, which further enhances the humor found from the clashes of cultures and generations that are the film’s core.

“What’s great about the movie is that I think there’s going to be a lot of different audiences for this film,” Hayek said, “I liked the idea that in some ways Maximo also enjoys his job. It’s important to him to make these women feel special. It gives him joy. The minute they get older, they are abandoned or overlooked by society. I think that it’s a lovely quality of the character that is original in the film. Everybody gets to laugh about themselves in the way we laugh about the concept of the Latin lover. It has a lot of heart and that is extremely important. It’s a little naughty but it’s done in a clever way so that it can go over the kids’ heads, but there are still things they l get to enjoy.”

Shot on location throughout Los Angeles, Marino is proud that the film reflects more than just the iconic, glittering parts of the city audiences have come to enjoy on screen time and time again. Despite the often-raucous events that occur throughout the film, he wanted to make sure the face of the city was also a key player that was grounded in reality. The multi-cultural and bilingual sights and sounds of the city are also complimented by a soundtrack that includes a new recording from Grammy®-nominated star Carla Morrison.

“It was a blessing to shoot in L.A.,” Derbez added. “In this case, we could afford the luxury of shooting here. And it’s so good to see L.A. like it is.”

Timing again looks to be on the side of Derbez with the release of HOW TO BE A LATIN LOVER. In this era of exaggerated luxury and status symbolism, Maximo would feel right at home in the Instagram-documented age of certain reality TV “stars.” Derbez has worked hard to curate a comedy brand that’s ranks him as one of the top artists working in Mexico and Latin America today. While he’s made some inroads in the United States, HOW TO BE A LATIN LOVER did provide him with his first ever leading role in English. The actor-filmmaker admitted that the process was “tricky” at times, even prompting him to wonder if his type of comedy would translate into a different language.

“I come from the Hispanic world and we are broad,” Derbez exclaimed. “We’re big! In this movie, I go to places that I’ve never been, but in a very contained way. It’s really been a learning curve. I feel so good about it.”

Upon seeing the finished film, Derbez is more confident than ever that the strengths of the material and its message will play to the widest audience possible. It is one more phase of an overall plan to continue bringing a unique slate of projects that will not only redefine his own brand of comedy, but do away with the labels associated with being a specific type of entertainment.

“It came from an original idea and it became funnier and funnier every single day,” Derbez concluded. “I’m so proud of it because it’s really different. We’re breaking all the stereotypes. Every time I work, whether it’s on my TV shows or my films, I love putting something for everyone. I like to work for the entire family. This feels really fresh and different. It also has such a nice and important message. Money’s not the only thing that’s important in life. Maximo had everything. Cars, yachts, helicopters, planes. He lived in huge mansions, but he does realize that life is about something else. Life is about family, about love, about taking care of each other. That’s one of the best things the movie has to offer.”

HOW TO BE A LATIN LOVER is now playing citywide. 

 

Diary of an Angry, Hungry, Fat, Gay Mexican — Week 10, Day 68 — “Breathe”

Diary of an Angry, Hungry, Fat, Gay Mexican — Week 10, Day 68 — “Breathe”

“At first I was afraid, I was petrified
Kept thinkin’ I could never live without you by my side
Then I spent so many nights just thinking how you did me wrong
And I grew strong
And I learned how to get along…”

— From “I Will Survive” by Freddie Perren & Dino Fekaris

Weight: 238.6 lbs.

Glucose Reading: 126

Lean for Life Program Loss: 24 lbs.

Mental State: Cautious Optimism

Today was my last regular visit to Lindora. I completed the 10-week Lean for Life program, designed to help me combat my Type-2 diabetes. The results? A more realistic loss of weight, a greatly improved series of glucose readings, lowered blood pressure and…? I’m not sure yet. What ever happens next is going to be on me, literally. And I am fuckin’ scared.

When I completed the Lindora program before, the results were always dramatic and euphoric. I was leaner, meaner and looking oh-so chic! (Ironically, that euphoria was also felt whenever I completed one of my late night eating binges of King Taco’s finest.) But like the fast food I returned to court with renewed gusto, the results were never satisfying or lasting. The weight would come back in due time, usually with a few MORE pounds tagging along for the next ride into the Depression City.

It was a truly vicious cycle, one that was particularly self-destructive by late 2015. Never before had the tyranny of food left me feeling alone and suicidal. Never before did I use food as something that could lead me to such a terrifying reality. That is the true power of addiction, when you feel you have no other recourse but to end your journey out of selfish, desperate fear. I don’t ever want to walk that plank again.

“Go on now, go. Walk out the door
Just turn around now ’cause you’re not welcome anymore
Weren’t you the one who tried to hurt me with goodbye?
Did you think I’d crumble?
Did you think I’d lay down and die?”

Before I walked away from Lindora this AM, Nurse Maria asked me, “What are you going to do next?” I honestly didn’t have an answer for her. I’ve been dreaming of pizza, nachos and fried chicken of late. Dreaming, not plotting a course. I can’t go back to what I was in late January when I started the program. I can only move forward. Certain carbs, the ones we all love most, will always be a bad crowd for me. I still have to return to Dr. Jason to complete a new A1C panel. The reality is I may never stop taking them to keep the “Sugars” under control.

Wellness and healthier living are meant to be a marathon runs, not sprints. The instability of these last months has been my biggest obstacle. Family is enduring its own trials. Friends have suffered heart and other reminders of our mortality. The world is being used as target practice for Tomahawk missiles, both literal and figurative ones at that.

This revived “Me Generation” defies the selfish, narcissism of the 1970s. We were told to live in the “Now,” but all that’s done is make us think in terms of “hurry up” and “faster.” It is also not dictated by age anymore, nor does it heed the endless cries for living an “authentic life.” No one can seem to even wait for someone to make a turn in front of us, much less wait at a stop light. No one person’s life or time is more important than your own. So many an’t even respectfully slow the fuck down to avoid the red light you’re still going to break the law to cross. Let them all be damned since no one will take the fault for an error anymore, either.  It takes everything in my being to just stop and breathe.

Breathe.

Pondering Nurse Maria’s question anew, I think I have an answer. I’m just going to take this a day at a time. When the mania rises, when I feel the least in control and need to reach for that thing that does me the most harm, I will stop, breathe and think. I will remind myself of the dark mental state that conspired to pull me out of this world out of fear.

It’s hard not to be awestruck at the photo of little me, the one that is the featured image of this entry. I look at the abject joy in those chubby little cheeks. I was happy to be in this strange world of ours. Somewhere along the way, I let that world turn a different shade, opting to hide from the very people and things that brought me so much happiness before.

My beautiful picture
My beautiful picture

I knew from a very young age I was a peculiar little gent, but it didn’t bother me. It has taken me almost 50 years to return to that point. The destination is a little hazy, but the signs leading me here are unmistakable. I now have a better understanding as to who I was supposed to be. Not total acceptance, mind you, but I am working towards that goal.

I’ve tried on so many different personas over the years, I confused myself, literally losing myself in this panicked desire to be all things to every being that’s ever been a part of my life. I see the folly of this today. It didn’t mean a thing, trying to please my way through this world. Friends came and went, just as lovers and co-workers did, too. The people that stayed demanded nothing of me, but I kept up appearances because I had a warped perception as to WHY they liked me in the first place.

Some people may have their own notion as to who is Jorge. Not George or Coco or MediaJor or The Peach or the Jor or any of the names that have defined me at various stages of my life. Jorge is something unique all unto himself. I am more than the Teflon brother who always gets what he wants, or the gay jester or the “Angry, Hungry, Fat, Gay Mexican” or the producer/interviewer or any of the things that are part of my persona. I am ALL of those things, though, the masculine and the feminine, sometimes even both at the same time. Instead of running away from all of this, I want to stop forcing myself to fit into a space that is not of my own design anymore. It is time to embrace all of me and stop pretending to be someone I’m not or capitulate to false perceptions.

As I start the next phase of improving my wellness and health, I am humbled by certain truths I’ve uncovered anew. I’ve used my family to fund my ridiculous efforts to cover my weak self up with material goods, to fill this insatiable void of my own making. It has been exceedingly unfair and I will not abuse their unconditional love in this manner anymore. This squandering of resources is on par with the awful food choices I’ve made for years. It’s all one big cover up and I am exposing this crime of emotional fraud once and for all. It didn’t make me happy in the least, not in the longterm anyway. That I ever thought I had the right to repay them with a departed soul is unforgivable.

One chapter of many is closing. This entry is the summation of a not so complex equation, a chronicle of a life that continues to be lived, despite its considerable contradictions and flaws. Samantha, whose embarking on a similar journey to end her habit of smoking, recently said to me, “The training wheels are coming off!” That is indeed true. As I steer myself into territory unknown, I know I won’t be alone. All I have to do to survive is…breathe.

I will survive.
Oh, as long as I know how to love I know I’ll stay alive.
I’ve got all my life to live.
I’ve got all my love to give.
And I’ll survive.

 

Diary of an Angry, Hungry, Fat, Gay Mexican — Week 10, Day 64 — “Failure”

Diary of an Angry, Hungry, Fat, Gay Mexican — Week 10, Day 64 — “Failure”

Not a legend
Not ordinary
Not alternative
No position
No religion
F-A-I-L-U-R-E
I might as well be giving up all the time

— “Failure” by The Ting Tings

I ate a basket of bread today. I couldn’t stop myself. I tried to justify it with a joyful, “It’s Sunday Funday. I’ll be good six days a week, but I’ll treat myself to whatever I want on Sunday!”

Yeah. No.

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The fact is I had zero control. Despite the decision to eat a grilled salmon entree with broccoli, I still opted to consume quite a bit of the endless salad with tons of salty Italian dressing and soggy croutons. And then that bloody bread basket. Our helpful waitress literally wore a path from the kitchen to our table as she replenished our warm, flavorful breadsticks. The less said about the marinara dipping sauce, the better.

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Bloody Olive Garden! Is it any wonder why we are enduring a health crisis in this country? I really do think we are given so much choice, Viking sized portions and other reasons to eat in bulk are part of an insidious conspiracy to keep us all fat, lazy and sick since we refuse to be told how to live. Millions sold, billions earned and we are blind to the reality that we are truly lambs being lead to slaughter. Case in point, Olive Garden’s special was offering a second entree dish to go for free! But is anything ever really “free?” The costs are diabetes, hypertension, elevated cholesterol, heart disease and death, all with a generous side of Alfredo sauce.

Mind you, I can’t blame Olive Garden for my mania. It started earlier at my parents’ house, where I consumed hummus, walnuts, papaya, some Pollo Loco chicken, romaine lettuce, cucumbers and, in a fit of inspiration, air popped popcorn with melted Smart Balance butter and Tajín!

¡Joder, tío!

I am ending the Lean for Life program at Lindora this week. Four more days of regular visits to the clinic. Then, I have eight more visits for check-ups to complete on my own time. It can be eight weeks or eight days in a row or any configuration of eight. After that, it’s all on me.

Why I chose to sabotage myself before the very end is so typical! It harkens back that infamous freshman year at UCLA when I sold my books before my finals in one class — and it was an open book test!

Sitting at the table with Anne and Helen that night, our reminisces about the past circled to the bullying we endured or witnessed when we were in middle school. As I write this now, I realize that I’ve been my own worst bully. The difference between then and now? Those guys who knocked my books out of my hand, slapped the back of my head as I walked down the hallways at Meller Jr. High or yelled the most hurtful slurs about my peculiar brand masculinity were left way behind in Pico Rivera. But, I still say and think some of the darkest shit about myself to myself on the daily. I shame myself for my failures and weakness. I reserve the harshest criticisms for myself.

If any of us are to stay on the path towards wellness, bullying ourselves cannot be part of the regimes we attempt to establish. We have to love ourselves even more as we battle the moments of weakness that will inevitably occur again. It may be on a Sunday or some other part of the week that ends in “y.”

I am angry with myself right now, but tomorrow is another opportunity for a reset. I made a choice to be healthier for a reason. I’m still grappling with the concept that failure is just part of the process. Yet, I do know that success will forever stand right next to failure. They are never that far apart, but you do control the amount of distance that remains to be covered when you experience that moment of weakness. I let 17 months go by before I finally stopped my descent into a full blown health crisis. And I’ve had success in making great improvements.

I contemplated not going into Lindora tomorrow to avoid having to see the scale head upwards in the morning after seeing it drop over the last week. I will go in as planned, however. As I write these closing lines, I ponder that law of gravity that keeps our feet on the ground. Whatever goes up, will eventually come down. And down these numbers will continue to drop.

Oh, did I mention I also hit Yogurtland, too?

Update:  The weigh in at Lindora gave me a case of the Mondays. I was up SIX pounds of sodium-induced bloat, reaching 245.8. My glucose reading was at 119. I’ll be drinking a lot of water this week. 

Diary of an Angry, Hungry, Fat, Gay Mexican — Week 8, Day 45 — “Control”

Diary of an Angry, Hungry, Fat, Gay Mexican — Week 8, Day 45 — “Control”

So let me take you by the hand, and lead you in this dance
Control
It’s what I got, because I took a chance
I don’t wanna rule the world, just wanna run my life

From “Control” by Janet Jackson

Weight: 246.2

Glucose Reading: 102

I recently gave myself a little test on control around the start of week 7. I wanted to see if I could enjoy a snack of raw walnuts without turning this tasty, crunchy treat into a marathon of eating my feelings at a single sitting.

Guess what? I failed.

It’s a subtle test, trying to limit yourself to “enough.” I’ve never been good with “enough.” I’m all about “more.” I wolfed down half of that damn bag of walnuts on the drive away from Trader Joe’s. I didn’t even try to wait and make it home! The mania surged in that familiar way is staggering because it is uncontrollable. It’s this powerful sense of hunger, of feeding this ravenous, desperate beast that can’t seem to be sated. It scares the shit out of me, this feeling of “more.”

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I had this flashback to when I was a kid, this one afternoon when my dad took me to Baskin-Robbins for a treat. I was down for an ice cream cone, but when we got to the store, I changed my mind and eagerly asked for a pineapple shake. Dad bought it, but when we were in the car, he turned to me and said something that struck me as odd at the time. I don’t remember the exact words, but it was something along these lines:

“Whenever you go with someone to a place like Baskin-Robbins and they offer to buy you something, don’t just pick something expensive. You never know if they have enough to pay.”

My dad was always trying to instill in me this lesson on frugality, which I never heeded. Not until it was too late and even then I still could do better. The consequences of my errant ways with money are on par with my eating disorder. I can’t consume — or spend — enough. It always had to be more…for me. Looking back, I realize that my dad went without so I could enjoy that frosty treat. He didn’t have enough for us both. Two cones yes. A cone and shake? No. I don’t even think I shared it with him. Irony? We’re both diabetic and can’t have such sugary drinks anymore.

Every time I go anywhere with my dad today, I think about these selfish moves I pulled on him, of my lack of control to put such machinations aside. That is why I work extra hard to make sure he feels so cared for and appreciated whenever we go out together. It doesn’t wipe away how awful I was to him all those years ago. I don’t want to be redeemed in that respect. It’s my own issue to reconcile. However, I do want him to know that I was able to control my own wicked tendencies in the end, that I listened and took his lesson to heart.

I’ve been trying to compose this diary entry for several days now. Talk about a lack of control. More like a lapse in focus as my career reaches one of its many rises we all experience throughout the year in productivity. A few things have happened of late, some of which have nothing to do with my current weight loss journey, yet the theme of control is not far behind.

While I continue this struggle to stop letting my emotions tyrannize my health, I’ve been scanning my motivations in other areas for similar problems, too. Like my relationships. I learned after my break-up with the Ex that you can’t control or maneuver someone into becoming the person YOU think they should become. It strangled the life out of our relationship. While it was a bitter lesson in the end, true to form, it remained a lesson I didn’t seem to want to heed. The results of trying to control ALL relationships can come undone.

I’m not sure how to explore this situation as a diary post at the moment. I can only say that my intentions were honorable, but realities exist when you all of your worlds collide together. Is it worth compromising one’s rust. Worse, what do you do when the view from the other side is disturbing to you, cold and unwarranted.

Part of me recognizes how much control I’ve given people over my interests, values and decisions these many years. I’ve let it rule me to not so great effect, allowing for real regrets to be honest. I could chalk it up to wanting to be liked, of wanting to be the peacekeeper, but really it was an evasion from reality. I think up better narratives than the ones I live or at least I’ve convinced myself of that. Complaining is so second nature to me, I often wonder if it, too, is just a manifestation of my inability to live an honest, contented life.

My desire to wrest control back of late has not been without its roiling points and it’s made me question more than just how I live my life. I was never going to be an industry player. I was never a shark in that regard. It has been a struggle, changing how I perceive my career and its importance in defining myself. I am privileged to be with people who see beyond the false trappings of the entertainment industry. They seek to nourish themselves in ways that is comprised of real sustenance, of seeking knowledge on things that make us question our world as we live it. That is what crave so much more these days.

If you recognize the foods that can cause you harm, you avoid them, right? But how far do you go with people, no matter if they are well intended or not? How do you reconcile the changes you are going through with those who are in a state of arrested development? As I continue on this journey toward wellness, I will continue to ask myself these questions. Whatever the answers, I do know they will be achieved on my terms.

I don’t want to rule the world.

I really do just want to run my life.

 

 

Diary of an Angry, Hungry, Fat, Gay Mexican — “And the Oscar goes to…”

Diary of an Angry, Hungry, Fat, Gay Mexican — “And the Oscar goes to…”

No one can be put in jail for their dreams.
Free country!
Means that you’ve got the choice,
Be a scholar! Make a dollar!
Free country!
Means that you get a voice,
Scream and holler! Grab ’em by the collar!
Free country!
Means you get to connect!
That’s it! Means the right to expect that you’ll have an effect.

 — From “Everybody’s Got the Right” by Stephen Sondheim

It’s Oscar Sunday. Mixed feelings about today’s show, to be honest. Some of it is politically motivated. I have a hard time grappling with the image of couture, Chopard and grandstanding on our current political situation, adding an awkward and surreal wrinkle to the distraction award shows also provide. But, it is hard not to feel nostalgic, particularly since my career features over 20 years of working on campaigns dedicated to the big prize. I think about the wonderful, hard working people I collaborated with for many years. More, I choose to look at it as bringing Pico Rivera realness to a world that features more people looking in than out. And yes, it is a small town boy’s dream realized.

My Top 5 Oscar Memories:

5. The Madness of King George & Eat Drink Man Woman (1995) — My first Oscar campaigns as a junior publicist. While I didn’t hit the carpet, I did get to spend the day with Dame Helen Mirren at her home to coordinate TV crews covering her nomination. Pure grace, class and a wicked sense of humor. I’d get my own chance to interview Dame Mirren years later on the set of Hitchcock in 2012 for the broadcast content. It was so worth the wait. And, true fact, she loves food shopping and hanging out in East Los.

My time at Samuel Goldwyn was important on so many levels. It propelled my career to the next level. It was responsible for some unforgettable moments that would replay later, particularly with my becoming a content producer. It was at Goldwyn where I first interviewed director Ang Lee for the Eat Drink Man Woman press notes in 1994, which was nominated for Best Foreign Film. We would meet again in 2011 in Taiwan, Taichung and Taipei to be exact, when I interviewed him on the set of Life of Pi for the international broadcast campaign. Best part? He remembered our first interview.

4. Slumdog Millionaire (2009) — Director Danny Boyle has been nothing but gracious, familiar and welcoming in the several interviews I’ve conducted with him over the years, which includes 28 Days Later, Sunshine, Trance and 127 Hours. I loved this movie, especially since I was one of the first to interview then newcomers Dev Patel and Freida Pinto when the film appeared at the 2008 Toronto Film Festival. A great experience.

3. Juno (2008) — You just knew this film was special when it was in production in Vancouver. Writer Diablo Cody remains one of my favorite EPK interviews ever, along with Jason Bateman. Ms. Cody even taught me some stripper moves from her old days of dance. Second best moment?  Trading lines from Drop Dead Gorgeous with Allison Janney. (“I got some!”

2. Birdman (2015) — It was a polarizing film, but it remains an achievement in craft on all levels. Interviewing Michael Keaton, Emma Stone and the ensemble resulted in revealing and candid conversations about film, magical realism and, particularly, Alejandro G. Iñárritu. It was my second project with AGI, the first being Babel. And it also played a role in my continuing conduct interviews for Spanish language content. It’s hard not to be a wee bit cynical about that, but I can’t negate how it’s also brought some welcome challenges to this half my career. That period was also when I hit the Mexican Trifecta of directors, thanks to interviews with Guillermo del Toro (The Book of Life) and Alfonso Cuarón (Gravity).

http://www.desdehollywood.com/alejandro-g-inarritu-michael-keaton-birdman-took-flight/

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1. Titanic (1998) — From production in 1996 to release in 1997 and the awards in 1998, this ship of dreams sailed through some choppy waters. But it journeyed into the history books. This entire experience was a microcosm of the film industry itself, good and bad. It’s unforgettable because it did cross through uncharted territory, first as a box office juggernaut and then as one of the most winning Oscar films in history. It is the ultimate in art and commerce. It wasn’t my first time at the big show. That honor went to Braveheart in 1996. But it was the one that brought me into the center ring, the one that made good on why I dreamt big as a kid, watching the telecast with determination to be part of the fray. I’ll never forget each set visit in Baja California and subsequent press days in LA and NYC with Kate Winslet and, especially, director James Cameron, who never failed to treat me with real respect. Heck, I even held his Oscars for him during a photo call. Haha. I’ve gone back to Titanic a few times since then. He’s never been anything more than a gentleman, a real showman.

I was part of some great teams in the 20 plus years. I learned from the best, individuals who truly shaped my role and reputation in this profession. It’s the ones who also made me a better person that I hold dear, which isn’t easy in a town that isn’t always so loyal or forgiving when you make a mistake.

I won’t be watching the show tonight. However, I do take great comfort knowing some chubby young Latino kid will be watching with equal determination to make their contribution and mark on this ridiculous, frustrating, inspiring and so very vital industry. Because he or she can. Because that’s their right. And everyone has their right to their dream, no matter how hard anyone — or any one president or political party — dares to tell us otherwise.

Si se fucking puede, mi gente.

I did.

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